CISSY CAFFREY More luck to me. Cavan, Cootehill and Belturbet.
(She sings.)
I gave it to Nelly
To stick in her belly
The leg of the duck
The leg of the duck.
(Private Cart and Private Compton turn and counterretort, their tunics bloodbright in a lampglow, black sockets of caps on their blond copper polls. Stephen Dedalus and Lynch pass through the crowd close to the redcoats.)
PRIVATE COMPTON (Jerks his finger.) Way for the parson.
PRIVATE CARR (Turns and calls.) What ho, parson!
CISSY CAFFREY (Her voice soaring higher.)
She has it, she got it,
Wherever she put it
The leg of the duck.
(Stephen, flourishing the ashplant in his left hand, chants with joy the introit for paschal time. Lynch, his jockey cap low on his brow, attends him, a sneer of discontent wrinkling his face.)
STEPHEN Vidi aquam egredientem de templo a latere dextro. Alleluia.
(The famished snaggletusks of an elderly bawd protrude from a doorway.)
THE BAWD (Her voice whispering huskily.) Sst! Come here till I tell you. Maidenhead inside. Sst.
STEPHEN (Altius aliqantulum) Et omnes ad quos pervenit acqua ista.
THE BAWD (Spits in their trail her jet of venom.) Trinity medicals. Fallopian tube. All prick and no pence.
(Edy Boardman, sniffling, crouched with Bertha Supple, draws her shawl across her nostrils.)
EDY BOARDMAN (Bickering.) And say the one: I seen you up Faithful place with your squarepusher, the greaser off the railway, in his cometobed hat. Did you, says I. That's not for you to say, says I. You never seen me in the mantrap with a married highlander, says I. The likes of her! Stag that one is. Stubborn as a mule! And her walking with two fellows the one time, Kildbride the enginedriver and lancecorporal Oliphant.
STEPHEN (Triumphaliter.) Salvi facti i sunt.
(He flourishes his ashplant shivering the lamp image, shattering light over the world. A liver and white spaniel on the prowl slinks after him, growling. Lynch scar's it with a kick.)
LYNCH So that?
STEPHEN (Looks behind.) So that gesture, not music, not odours, would be a universal language, the gift of tongues rendering visible not the lay sense but the first entelechy, the structural rhythm.
LYNCH Pornosophical philotheology. Metaphysics in Mecklenburg street!
STEPHEN We have shrewridden Shakespeare and henpecked Socrates. Even the allwisest stagyrite was bitted, bridled and mounted by a light of love.
LYNCH Ba!
STEPHEN Anyway, who wants two gestures to illustrate a loaf and a jug? This movement illustrates the loaf and jug of bread and wine in Omar. Hold my stick.
LYNCH Damn your yellow stick. Where are we going?
STEPHEN Lecherous lynx, to la belle dame sans merci, Georgina Johnson, ad deam qui laetificat juventutem meam.
(Stephen thrusts the ashplant on him and slowly holds out his hands, his head going back till both hands are a span from his breast, down turned in planes intersecting, the fingers about to part, the left being higher.)
LYNCH Which is the jug of bread? It skills not. That or the customhouse. Illustrate thou. Here take your crutch and walk.
(They pass. Tommy Caffrey scrambles to a gaslamp and, clasping, climbs in spasms. From the top spur he slides down. Jacky Caffrey clasps to climb. The navvy lurches against the lamp. The twins scuttle off in the dark. The navvy, swaying, presses a forefinger against a wing of his nose and ejects from the farther nostril a long liquid jet of snot. Shouldering the lamp he staggers away through the crowd with his flaring cresset.
Snakes of river fog creep slowly. From drains, clefts, cesspools, middens arise on all sides stagnant fumes. A glow leaps in the south beyond the seaward reaches of the river. The navvy staggering forward cleaves the crowd and lurches towards the tramsiding. On the farther side under the railway bridge Bloom appears flushed, panting, cramming bread and chocolate into a side pocket. From Gillens hairdressers window a composite portrait shows him gallant Nelson's image. A concave mirror at the side presents to him lovelorn longlost lugubru Booloohoom. Grave Gladstone sees him level Bloom for Bloom. He passes, struck by the stare of truculent Wellington but in the con vex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.
At Antonio Babaiotti's door Bloom halts, sweated under the bright arclamps. He disappears. In a moment he reappears and hurries on.)
BLOOM Fish and taters. N. g. Ah!
(He disappears into Olhousen's, the pork butcher's, under the downcoming rollshutter. A few moments later he emerges from under the shutter puffing Poldy, blowing Bloohoom. In each hand he holds a parcel, one containing a lukewarm pig's crubeen, the other a cold sheep's trotter sprinkled with wholepepper He gasps, standing upright. Then bending to one side he presses a parcel against his rib and groans.)
BLOOM Stitch in my side. Why did I run?
(He takes breath with care and goes forward slowly towards the lampset siding. The glow leaps again.)
BLOOM What is that? A flasher? Searchlight.
(He stands at Cormack's corner watching.)
BLOOM Aurora borealis or a steel foundry? Ah, the brigade, of course. South side anyhow. Big blaze. Might be his house. Beggar's bush. We're safe. (He hums cheerfully.) London's burning, London's burning! On fire, on fire! (He catches sight of the navvy lurching through the crowd at the farther side of Talbot street.) I'll miss him. Run. Quick. Better cross here.
(He darts to cross the road. Urchins shout.)
THE URCHINS Mind out, mister! (Two cyclists, with lighted paper lanterns aswing, swim by him, grazing him, their bells rattling.)
THE BELLS Haltyaltyaltyall.
BLOOM (Halts erect stung by a spasm.) Ow.
(He looks round, darts forward suddenly. Through rising fog a dragon sandstrewer, travelling at caution, slews heavily down upon him, its huge red headlight winking, its trolley hissing on the wire. The motorman bangs his footgong.)
THE GONG Bang Bang Bla Bak Blud Bugg Bloo.
(The brake cracks violently. Bloom, raising a policeman's whitegloved hand, blunders stifflegged, out of the track. The motorman thrown forward, pugnosed, on the guidewheel, yells as he slides past over chains and keys.)
THE MOTORMAN Hey, shitbreeches, are you doing the hattrick?
BLOOM (Bloom trickleaps to the curbstone and halts again. He brushes a mudflake from his cheek with a parcelled hand.) No thoroughfare. Close shave that but cured the stitch. Must take up Sandow's exercises again. On the hands down. Insure against street accident too. The Providential. (He feels his trouser pocket.) Poor mamma's panacea. Heel easily catch in tracks or bootlace in a cog. Day the wheel of the black Maria peeled off my shoe at Leonard's corner. Third time is the charm. Shoe trick. Insolent driver. I ought to report him. Tension makes them nervous. Might be the fellow balked me this morning with that horsey woman. Same style of beauty. Quick of him all the same. The stiff walk. True word spoken in jest. That awful cramp in Lad lane. Something poisonous I ate. Emblem of luck. Why? Probably lost cattle. Mark of the beast. (He closes his eyes an instant.) Bit light in the head. Monthly or effect of the other. Brainfogfag. That tired feeling. Too much for me now. Ow!
(A sinister figure leans on plaited legs against O'Beirnes wall, a visage unknown, injected with dark mercury. From under a wideleaved sombrero the figure regards him with evil eye.)
BLOOM Buenos noches, se?orita Blanca, que calle es esta?
THE FIGURE (Impassive, raises a signal arm.) Password. Sraid Mabbot.
BLOOM Haha. Merci. Esperanto. Slan leath. (He mutters.) Gaelic league spy, sent by that fireeater.
(He steps forward. A sackshouldered ragman bars his path. He steps left, ragsackman left.)
BLOOM I beg. (He swerves, sidles, stepsaside, slips past and on.)
BLOOM Keep to the right, right, right. If there is a fingerpost planted by the Touring Club at Stepaside who procured that public boon? I who lost my way and contributed to the columns of the Irish Cyclist the letter headed, In darkest Stepaside. Keep, keep, keep to the right. Rags and bones, at midnight. A fence more likely. First place murderer makes for. Wash off his sins of the world.
(Jacky Caffrey, hunted by Tommy Caffrey, runs full tilt against Bloom.)
BLOOM O!
(Shocked, on weak hams, he halts. Tommy and Jacky vanish there, there. Bloom pats with parcelled hands watch, fobpocket, bookpocket, pursepocket, sweets of sin, potato soap.)
BLOOM Beware of pickpockets. Old thieves' dodge. Collide. Then snatch your purse.
(The retriever approaches sniffling, nose to the ground. A sprawled form sneezes. A stooped bearded figure appears garbed in the long caftan of an elder in Zion and a smoking cap with magenta tassels. Horned spectacles hang down at the wings of the nose. Yellow poison streaks are on the drawn face.)
RUDOLPH Second halfcrown waste money today. I told you not go with drunken goy ever. So. You catch no money.
BLOOM (Hides the crubeen and trotter behind his back and, crestfallen, feels warm and cold feetmeat) Ja, ich weiss, papachi.
RUDOLPH What you making down this place? Have you no soul? (With feeble vulture talons he feels the silent face of Bloom) Are you not my son Leopold, the grandson of Leopold? Are you not my dear son Leopold who left the house of his father and left the god of his fathers Abraham and Jacob?
BLOOM (With precaution.) I suppose so, father. Mosenthal. All that's left of him.
RUDOLPH (Severely.) One night they bring you home drunk as dog after spend your good money. What you call them running chaps?
BLOOM (In youth's smart blue Oxford suit with white vestslips, narrowshouldered, in brown Alpine hat, wearing gent's sterling silver waterbury keyless watch and double curb Albert with seal attached, one side of him coated with stiffening mud.) Harriers, father. Only that once.
RUDOLPH Once! Mud head to foot. Cut your hand open. Lockjaw. They make you kaput, Leopoldleben. You watch them chaps.
BLOOM (Weakly.) They challenged me to a sprint. It was muddy. I slipped.
RUDOLPH (With contempt) Ooim nachez. Nice spectacles for your poor mother!
BLOOM Mamma!
ELLEN BLOOM (In pantomime dame's stringed mobcap, crinoline and bustle, widow Twankey's blouse with muttonleg sleeves buttoned behind, grey mittens and cameo brooch, her hairplaited in a crisping net, appears over the staircase banisters, a slanted candlestick in her hand and cries out in shrill alarm.) O blessed Redeemer, what have they done to him! My smelling salts! (She hauls up a reef of skirt and ransacks the pouch of her striped blay petticoat. A phial, an Agnus Dei, a shrivelled potato and a celluloid doll fall out.) Sacred Heart of Mary, where were you at all, at all?
(Bloom, mumbling, his eyes downcast, begins to bestow his parcels in his filled pockets but desists, muttering.)
A VOICE (Sharply.) Poldy!
BLOOM Who? (He ducks and wards off a blow clumsily.) At your service.
(He looks up. Beside her mirage of datepalms a handsome woman in Turkish costume stands before him. Opulent curves fill out her scarlet trousers and jacket slashed with gold. A wide yells cummerbund girdles her. A white yashmak violet in the night, covers her face, leaving free only her lace dark eyes and raven hair.)
BLOOM Molly!
MARION Welly? Mrs Marion from this out, my dear man, when you speak to me. (Satirically.) Has poor little hubby cold feet waiting so long?
BLOOM (Shifts from foot to foot.) No, no. Not the least little bit.
(He breathes in deep agitation, swallowing gulps of air questions, hopes, crubeens for her supper things to tell her excuses, desire, spellbound. A coin gleams on her forehead. On her feet are jewelled toerings. Her ankles are linked by a slender fetterchain. Beside her a camel, hooded with a turreting turban, waits. A silk ladder of innumerable rungs climbs to his bobbing howdah. He ambles near with disgruntled hindquarters. Fiercely she slaps his haunch, her goldcurb wristbangles angriling, scolding him in Moorish.)
MARION Nebrakada! Feminimum.
(The camel, lifting a foreleg, plucks from a tree a lace mango fruit, offers it to his mistress, blinking, in his cloven hoof then droops his head and, grunting, with uplifted neck, fumbles to kneel. Bloom stoops his back for leapfrog.)
BLOOM I can give you... I mean as your business menagerer Mrs Marion... if you...
MARION So you notice some change? (Her hands passing slowly over her trinketed stomacher. A slow friendly mockery in her eyes.) O Poldy, Poldy, you are a poor old stick in the mud! Go and see life. See the wide world.
BLOOM I was just going back for that lotion whitewax, orangeflower water. Shop closes early on Thursday. But the first thing in the morning. (He pats divers pockets.) This moving kidney. Ah!
(He points to the south, then to the east. A cake of new clean lemon soap arises, diffusing light and perfume.)
THE SOAP
We're a capital couple are Bloom and I;
He brightens the earth, I polish the sky.
(The freckled face of Sweny, the druggist, appeals in the disc of the soapsun.)
SWENY Three and a penny, please.
BLOOM Yes. For my wife, Mrs Marion. Special recipe.
MARION (Softly.) Poldy!
BLOOM Yes, ma'am?
MARION Ti trema un poco il cuore?
(In disdain she saunters away, plump as a pampered pouter pigeon, humming the duet from Don Giovanni)
BLOOM Are you sure about that Voglio? I mean the pronunciati...
(He follows, followed by the sniffing terrier. The elderly bawd seizes his sleeve, the bristles of her chinmole glittering.)
THE BAWD Ten shillings a maidenhead. Fresh thing was never touched. Fifteen. There's no-one in it only her old father that's dead drunk.
(She points. In the gap of her dark den furtive, rainbedraggled Bridie Kelly stands.)
BRIDIE Hatch street. Any good in your mind?
(With a squeak she flaps her bat shawl and runs. A burly rough pursues with booted strides. He stumbles on the steps, recovers, plunges into gloom. Weak squeaks of laughter are heard, weaker.)
THE BAWD (Her wolfeyes shining.) He's getting his pleasure. You won't get a virgin in the flash houses. Ten shillings. Don't be all night before the polis in plain clothes sees us. Sixtyseven is a bitch.
(Leering Gerty MacDowell limps forward. She draws from behind ogling, and shows coyly her bloodied clout.)
GERTY With all my worldly goods I thee and thou. (She murmurs.) You did that. I hate you.
BLOOM I? When? You're dreaming. I never saw you.
THE BAWD Leave the gentleman alone, you cheat. Writing the gentleman false letters. Streetwalking and soliciting. Better for your mother take the strap to you at the bedpost, hussy like you.
GERTY (To Bloom.) When you saw all the secrets of my bottom drawer. (She paws his sleeve, slobbering.) Dirty married man! I love you for doing that to me.
(She slides away crookedly. Mrs Breen in man's frieze overcoat with loose bellows pockets, stands in the causeway, her roguish eyes wideopen, smiling in all her herbivorous buckteeth.)
MRS BREEN Mr.
BLOOM (Coughs gravely.) Madam, when we last had this pleasure by letter dated the sixteenth instant .
MRS BREEN Mr Bloom! You down here in the haunts of sin! I caught you nicely! Scamp!
BLOOM (Hurriedly.) Not so loud my name. Whatever do you think me? Don't give me away. Walls have hears. How do you do? It's ages since I. You're looking splendid. Absolutely it. Seasonable weather we are having this time of year. Black refracts heat. Short cut home here. Interesting quarter. Rescue of fallen women Magdalen asylum. I am the secretary...
MRS BREEN (Holds up a finger.) Now don't tell a big fib! I know somebody won't like that. O just wait till I see Molly! (Slily.) Account for yourself this very minute or woe betide you!
BLOOM (Looks behind.) She often said she'd like to visit. Slumming. The exotic, you see. Negro servants too in livery if she had money. Othello black brute. Eugene Stratton. Even the bones and cornerman at the Livermore christies. Bohee brothers. Sweep for that matter.
(Tom and Sam Bohee, coloured coons in white duck suits, scarlet socks, upstarched Sambo chokers and lace scarlet asters in their buttonholes leap out. Each has his banjo slung. Their paler smaller negroid hands jingle the twingtwang wires. Flashing white Kaffir eyes and tusks they rattle through a breakdown in clumsy clogs, twinging, singing, back to back, toe heel, heel toe, with smackfatclacking nigger lips.)
There's someone in the house with Dina
There's someone in the house, I know,
There's someone in the house with Dina
Playing on the old banjo.
(They whisk black masks from raw babby faces: then, chuckling, chortling, trumming, twanging they diddle diddle cakewalk dance away.)
BLOOM (With a sour tenderish smile.) A little frivol, shall we, if you are so inclined? Would you like me perhaps to embrace you just for a fraction of a second?
MRS BREEN (Screams gaily.) O, you ruck! You ought to see yourself!
BLOOM For old sake'sake. I only meant a square party, a mixed marriage mingling of our different little conjugials. You know I had a soft corner for you. (Gloomily.) 'Twas I sent you that valentine of the dear gazelle.
MRS BREEN Glory Alice, you do look a holy show! Killing simply. (She puts out her hand inquisitively.) What are you hiding behind your back? Tell us, there's a dear.
BLOOM (Seizes her wrist with his free hand.) Josie Powell that was, prettiest deb in Dublin. How time flies by! Do you remember, harking back in a retrospective arrangement, Old Christmas night Georgina Simpson's housewarming while they were playing the Irving Bishop game, finding the pin blindfold and thoughtreading? Subject, what is in this snuff box?
MRS BREEN You were the lion of the night with your seriocomic recitation and you looked the part. You were always a favourite with the ladies.
BLOOM (Squire of dames, in dinner jacket, with watered-silk facings, blue masonic badge in his buttonhole, black bow and mother-of-pearl studs, a prismatic champagne glass tilted in his hand.) Ladies and gentlemen, I give you Ireland, home and beauty.
MRS BREEN The dear dead days beyond recall. Love's old sweet song.
BLOOM (Meaningfully dropping his voice.) I confess I'm teapot with curiosity to find out whether some person's something is a little teapot at present.
MRS BREEN (Gushingly.) Tremendously teapot! London's tea pot and I'm simply teapot all over me. (She rubs sides with him.) After the parlour mystery games and the crackers from the tree we sat on the staircase ottoman. Under the mistletoe. Two is company.
BLOOM (Wearing a purple Napoleon hat with an amber halfmoon, his fingers and thumbs passing slowly down to her soft moist meaty palm which she surrenders gently.) The witching hour of night. I took the splinter out of this hand, carefully, slowly. (Tenderly, as he slips on her finger a ruby ring.) Là ci darem la mano.
MRS BREEN (In a onepiece eveningfrock executed in moonlight blue, a tinsel sylph's diadem on her brow with her dancecard fallen beside her moonblue satin slipper curves her palm softly, breathing quickly.) Voglio e non. You're hot! You're scalding! The left hand nearest the heart.
BLOOM When you made your present choice they said it was beauty and the beast. I can never forgive you for that. (His clenched fist at his brow.) Think what it means. All you meant to me then. (Hoarsely.) Woman, it's breaking me! (Dennis Breen, whitetallhatted, with Wisdom Hely's sandwich board, shuffles past them in cadet slippers, his dull beard thrust out, muttering to right and left. Little Alf Bergan, cloaked in the pall of the ace of spaces, dogs him to left and right, doubled in laughter.)
ALF BERGAN (Points jeering at the sandwich boards.) U.p.: Up.
MRS BREEN (To Bloom.) High jinks below stairs. (She gives him the glad eye.) Why didn't you kiss the spot to make it well? You wanted to.
BLOOM (Shocked.) Molly's best friend! Could you?
MRS BREEN (Her pulpy tongue between her lips, offers a pigeon kiss.) Hnhn. The answer is a lemon. Have you a little present for me there?
BLOOM (Off handedly.) Kosher. A snack for supper. The home without potted meat is incomplete. I was at Leah. Mrs Bandman Palmer. Trenchant exponent of Shakespeare. Unfortunately threw away the programme. Rattling good place round there for pig's feet. Feel.
(Richie Goulding, three ladies' hats pinned on his head, appears weighted to one side by the black legal bag of Collis and Ward on which a skull and crossbones are painted in white limewash. He ins it and shows it full of polonies, kippered, herrings, Findon haddies and tightpacked pills.)
RICHIE Best value in Dub.
(Bald Pat, bothered beetle, stands on the curbstone, folding his napkin, waiting to wait.)
PAT (Advances with a tilted dish of spillspilling gravy.) Steak and kidney. Bottle of lager. Hee hee hee. Wait till I wait.
RICHIE Goodgod. Inev erate inall...
(With hanging head he marches doggedly forward. The navvy, lurching by, gores him with his flaming pronghorn.)
RICHIE (With a cry of pain, his hand to his back) Ah! Bright's! Lights!
BLOOM (Points to the navvy.) A spy. Don't attract attention. I hate stupid crowds. I am not on pleasure bent. I am in a grave predicament.
MRS BREEN Humbugging and delutbering as per usual with your cock and bull story.
BLOOM I want to tell you a little secret about how I came to be here. But you must never tell. Not even Molly. I have a most particular reason.
MRS BREEN (All agog.) O, not for worlds.
BLOOM Let's walk on. Shall us?
MRS BREEN Let's.
(The bawd makes an unheeded sign. Bloom walks on with Mrs Breen. The terrier follows, whining piteously, wagging his tail.)
THE BAWD Jewman's melt!
BLOOM (In an oatmeal sporting suit, a sprig of woodbine in the lapel, tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white spats, fawn dustcoat on his arm, tawny red brogues, fieldglasses in bandolier and a grey billycock hat.) Do you remember a long long time, years and years ago, just after Milly, Marionette we called her, was weaned when we all went together to Fairyhouse races, was it?
MRS BREEN (In smart Saxe tailormade, white velours hat and spider veil.) Leopardstown.
BLOOM I mean, Leopardstown. And Molly won seven shillings on a three year old named Nevertell and coming home along by Foxrock in that old fiveseater shanderadan of a waggonette you were in your heyday then and you had on that new hat of white velours with a surround of molefur that Mrs Hayes advised you to buy because it was marked down to nineteen and eleven, a bit of wire and an old rag of velveteen, and I'll lay you what you like she did it on purpose...
MRS BREEN She did, of course, the cat! Don't tell me! Nice adviser!
BLOOM Because it didn't suit you one quarter as well as the other ducky little tammy toque with the bird of paradise wing in it that I admired on you and you honestly looked just too fetching in it though it was a pity to kill it, you cruel creature, little mite of a thing with a heart the size of a fullstop.
MRS BREEN (Squeezes his arm, simpers.) Naughty cruel I was.
BLOOM (Low, secretly, ever more rapidly.) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though she had her advisers or admirers, I never cared much for her style. She was .
MRS BREEN Too.
BLOOM Yes. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a gig with his daughter, Dancer Moses was her name, and the poodle in her lap bridled up and you asked me if I ever heard or read or knew or came across .
MRS BREEN (Eagerly.) Yes, yes, yes, yes, yes, yes, yes.
(She fades from his side. Followed by the whining dog he walks on towards hellsgates. In an archway a standing woman, bent forward, her feet apart, pisses cowily. Outside a shuttered pub a bunch of loiterers listen to a tale which their broken snouted gaffer rasps out with raucous humour. An armless pair of them flop wrestling, growling, in maimed sodden playfight.)
THE GAFFER (Crouches, his voice twisted in his snout.) And when Cairns came down from the scaffolding in Beaver Street what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.
THE LOITERERS (Guffaw with cleft palates.) O jays!
(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)
BLOOM Coincidence too. They think it funny. Anything but that. Broad daylight. Trying to walk. Lucky no woman.
THE LOITERERS Jays, that's a good one. Glauber salts. O jays, into the men's porter.
(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled, call from lanes, doors, corners.)
THE WHORES Are you going far, queer fellow? How's your middle leg? Got a match on you? Eh, come here till I stiffen it for you.
(He plodges through their sump towards the lighted street beyond. From a bulge of window curtains a gramophone rears a battered brazen trunk. In the shadow a shebeenkeeper haggles with the navvy and the two redcoats.)
THE NAVVY (Belching.) Where's the bloody house?
THE SHEBEENKEEPER Purdon street. Shilling a bottle of stout. Respectable woman.
THE NAVVY (Gripping the two redcoats, staggers forward with them.) Come on, you British army!
PRIVATE CARR (Behind his back.) He aint half balmy.
PRIVATE COMPTON (LAughs.) What ho!
PRIVATE CARR (To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.
THE NAVVY (Shouts.)
We are the boys. Of Wexford.
PRIVATE COMPTON Say! What price the sergeantmajor?
PRIVATE CARR Bennett? He's my pal. I love old Bennett.
THENAVVY (Shouts.)
The galling chain.
And free our native land.
(He staggers forward, dragging them with him. Bloom stops, at fault. The dog approaches, his tongue outlolling, panting.)
BLOOM Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row. Then jump in first class with third ticket. Then too far. Train with engine behind. Might have taken me to Malahide or a siding for the night or collision. Second drink does it. Once is a dose. What am I following him for? Still, he's the best of that lot. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet. He'll lose that cash. Relieving office here. Good biz for cheapjacks, organs. What do ye lack? Soon got, soon gone. Might have lost my life too with that mangongwheeltracktrolleyglarejuggernaut only for presence of mind. Can't always save you, though. If I had passed Truelock's window that day two minutes later would have been shot. Absence of body. Still if bullet only went through my coat get damages for shock, five hundred pounds. What was he? Kildare street club toff. God help his gamekeeper.
(He gazes ahead reading on the wall a scrawled chalk legend Wet Dream and a phallic design.)
Odd! Molly drawing on the frosted carriagepane at Kingstown. What's that like? (Gaudy dollwomen loll in the lighted doorways, in window embrasures, smoking birdseye cigarettes. The odour of the sicksweet weed floats towards him in slow round ovalling wreaths.)
THE WREATHS Sweet are the sweets. Sweets of sin.
BLOOM My spine's a bit limp. Go or turn? And this food? Eat it and get all pigsticky. Absurd I am. Waste of money. One and eightpence too much. (The retriever drives a cold snivelling muzzle against his hand, wagging his tail.) Strange how they take to me. Even that brute today. Better speak to him first. Like women they like rencontres. Stinks like a polecat. Chacun son go?t. He might be mad. Fido. Uncertain in his movements. Good fellow! Garryowen! (The wolfdog sprawls on his back, wriggling obscenely with begging paws, his long black tongue lolling out.) Influence of his surroundings. Give and have done with it. Provided nobody. (Calling encouraging words he shambles back with a furtive poacher's tread, dogged by the setter into a dark stalestunk corner. He unrolls one parcel and goes to dump the crubeen softly but holds back and feels the trotter.) Sizeable for threepence. But then I have it in my left hand. Calls for more effort. Why? Smaller from want of use. O, let it slide. Two and six.
(With regret he lets unrolled crubeen and trotter slide. The mastiff mauls the bundle clumsily and gluts himself with growling greed, crunching the bones. Two raincaped watch approach, silent, vigilant. They murmur together.)
THE WATCH Bloom. Of Bloom. For Bloom. Bloom.
(Each lays a hand on Blooms shoulder.)
FIRST WATCH Caught in the act. Commit no nuisance.
BLOOM (Stammers.) I am doing good to others.
(A covey of gulls, storm petrels, rises hungrily from Liffey slime with Banbury cakes in their beaks.)
THE GULLS Kaw kave kankury kake.
BLOOM The friend of man. Trained by kindness.
(He points. Bob Doran, toppling from a high bars tool, sways over the munching spaniel.)
BOB DORAN Towser. Give us the paw. Give the paw.
(The bulldog growls, his scruff standing, a gobbet of pigs knuckle between his molars through which rabid scrumspittle dribbles. Bob Doran falls silently into an area.)
SECOND WATCH Prevention of cruelty to animals.
BLOOM (Enthusiastically.) A noble work! I scolded that tramdriver on Harold's cross bridge for illusing the poor horse with his harness scab. Bad French I got for my pains. Of course it was frosty and the last tram. All tales of circus life are highly demoralising.
(Signor Maffei, passion pale, in liontamer's costume with diamond studs in his shirtfront, steps forward, holding a circus paper hoop, a curling carriagewhip and a revolver with which he covers the going boarhound.)
SIGNOR MAFFEI (With a sinister smile.) Ladies and gentlemen, my educated greyhound. It was I broke in the bucking broncho Ajax with my patent spiked saddle for carnivores. Lash under the belly with a knotted thong. Block tackle and a strangling pully will bring your lion to heel, no matter how fractious, even Leo ferox there, the Libyan maneater. A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the thinking hyena. (He glares.) I possess the Indian sign. The glint of my eye does it with these breastsparklers. (With a bewitching smile.) I now introduce Mademoiselle Ruby, the pride of the ring.
FIRST WATCH Come. Name and address.
BLOOM I have forgotten for the moment. Ah, yes! (He takes off his high grade hat, saluting.) Dr Bloom, Leopold, dental surgeon. You have heard of von Bloom Pasha. Umpteen mil lions. Donnerwetter! Owns half Austria. Egypt. Cousin.
FIRST WATCH Proof.
(A card falls from inside the leather headband of Bloom's hat.)
BLOOM (In red fez, cadi's dress coat with broad green sash, wearing a false badge of the Legion of Honour, picks up the card hastily and offers it.) Allow me. My club is the Junior Army and Navy. Solicitors: Messrs John Henry Menton, 27 Bachelor's Walk.
FIRST WATCH (Reads.) Henry Flower. No fixed abode. Un lawfully watching and besetting.
SECOND WATCH An alibi. You are cautioned.
BLOOM (Produces from his heartpocket a crumpled yellow flower.) This is the flower in question. It was given me by a man I don't know his name. (Plausibly.) You know that old joke, rose of Castille. Bloom. The change of name Virag. (He murmurs privately and confidentially.) We are engaged you see, sergeant. Lady in the case. Love entanglement. (He shoulders the second watch gently.) Dash it all. It's a way we gallants have in the navy. Uniform that does it. (He turns gravely to the first watch.) Still, of course, you do get your Waterloo sometimes. Drop in some evening and have a glass of old Burgundy. (To the second watch gaily.) I'll introduce you, inspector. She's game. Do it in shake of a lamb's tail.
(A dark mercurialised face appears, leading a veiled figure.)
THE DARK MERCURY The Castle is looking for him. He was drummed out of the army.
MARTHA (Thickveiled, a crimson halter round her neck, a copy of the Irish Times in her hand, in tone of reproach, pointing.) Henry! Leopold! Leopold! Lionel, thou lost one! Clear my name.
FIRST WATCH (Sternly.) Come to the station.
BLOOM (Scared, hats himself steps back, then, plucking at his heart and lifting his right forearm on the square, he gives the sign and dueguard of fellowcraft.) No, no, worshipful master, light of love. Mistaken identity. The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide case. We medical men. By striking him dead with a hatchet. I am wrongfully accused. Better one guilty escape than ninetynine wrongfully condemned.
MARTHA (Sobbing behind her veil.) Breach of promise. My real name is Peggy Griffin. He wrote to me that he was miserable. I'll tell my brother, the Bective rugger fullback, on you, heartless flirt.
BLOOM (Behind his hand.) She's drunk. The woman is inebriated. (He murmurs vaguely the past of Ephraim.) Shitbroleeth.
SECOND WATCH (Tears in his eyes, to Bloom.) You ought to be thoroughly well ashamed of yourself.
BLOOM Gentleman of the jury, let me explain. A pure mare's nest. I am a man misunderstood. I am being made a scapegoat of. I am a respectable married man, without a stain on my character. I live in Eccles street. My wife, I am the daughter of a most distinguished commander, a gallant upstanding gentleman, who do you call him, Majorgeneral Brian Tweedy, one of Britain's fighting men who helped to win our battles. Got his majority for the heroic defence of Rorke's Drift.
FIRST WATCH Regiment.
BLOOM (Turns to the gallery.) The royal Dublins, boys, the salt of the earth, known the world over. I think I see some old comrades in arms up there among you. The R. D. F. With our own Metropolitan police, guardians of our homes, the pluckiest lads and the finest body of men, as physique, in the service of our sovereign.
A VOICE Turncoat! Up the Boers! Who booed Joe Chamberlain?
BLOOM (His hand on the shoulder of the first watch.) My old dad too was a J.P. I'm as staunch a Britisher as you are, sir. I fought with the colours for king and country in the absentminded war under General Gough in the park and was disabled at Spion Kop and Bloemfontein, was mentioned in dispatches. I did all a white man could. (With quiet feeling.) Jim Bludso. Hold her nozzle again the bank.
FIRST WATCH Profession or trade.
BLOOM Well, I follow a literary occupation. Author-journalist. In fact we are just bringing out a collection of prize stories of which I am the inventor, something that is an entirely new departure. I am connected with the British and Irish press. If you ring up...
(Myles Crawford strides out jerkily, a quill between his teeth. His scarlet beak blazes within the aureole of his straw hat. He dangles a hank of Spanish onions in one hand and holds with the other hand a telephone receiver nozzle to his ear.)
MYLES CRAWFORD (His cock's wattles wagging.) Hello, seventyseven eightfour. Hello. Freeman's Urinal and Weekly Arse wiper here. Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?
(Mr Philip Beaufoy, palefaced, stands in the witnessbox, in accurate morning dress, outbreast pocket with peak of handkerchief showing, creased lavender trousers and patent boots. He cames a lace portfolio labelled Matcham's Masterstrokes.)
BEAUFOY (Drawls.) No, you aren't, not by a long shot if I know it. I don't see it, that's all. No born gentleman, no one with the most rudimentary promptings of a gentleman would stoop to such particularly loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak masquerading as a literateur. It's perfectly obvious that with the most inherent baseness he has cribbed some of my bestselling books, really gorgeous stuff, a perfect gem, the love passages in which are beneath suspicion. The Beaufoy books of love and great possessions with which your lordship is doubtless familiar, are a household word throughout the kingdom.
BLOOM (Murmurs with hangdog meekness.) That bit about the laughing witch hand in hand I take exception to, if I may... ?
BEAUFOY (His lip upcurled, smiles superciliously on the court.) You funny ass, you! You're too beastly awfully weird for words! I don't think you need over excessively disincommodate yourself in that regard. My literary agent Mr J. B. Pinker is in attendance. I presume, my lord, we shall receive the usual witnesses' fees, shan't we? We are considerably out of pocket over this bally pressman johnny, this jackdaw of Rheims, who has not even been to a university.
BLOOM (Indistinctly.) University of life. Bad art.
BEAUFOY (Shouts.) It's a damnably foul lie showing the moral rottenness of the man! (He extends his portfolio.) We have here damning evidence, the corpus delicti, my lord, a specimen of my maturer work disfigured by the hallmark of the beast.
A VOICE FROM THE GALLERY
Moses, Moses, king of the jews,
Wiped his arse in the Daily News.
BLOOM (Bravely.) Overdrawn.
BEAUFOY You low cad! You ought to be ducked in the horsepond, you rotter! (To the court.) Why, look at the man's private life! Leading a quadruple existence! Street angel and house devil. Not fit to be mentioned in mixed society. The arch conspirator of the age.
BLOOM (To the court.) And he, a bachelor, how.
FIRST WATCH The King versus Bloom. Call the woman Driscoll.
THE CRIER Mary Driscoll, scullerymaid!
(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket on the crook of her arm and a scouringbrush in her hand.)
SECOND WATCH Another! Are you of the unfortunate class?
MARY DRISCOLL (Indignantly.) I'm not a bad one. I bear a respectable character and was four months in my last place. I was in a situation, six pounds a year and my chances with Fridays out, and I had to leave owing to his carryings on.
FIRST WATCH What do you tax him with?
MARY DRISCOLL He made a certain suggestion but I thought more of myself as poor as I am.
BLOOM (In housejacket of ripplecloth, flannel trousers, heelless slippers, unshaven, his hair rumpled softly.) I treated you white. I gave you mementoes, smart emerald garters far above your station. Incautiously I took your part when you were accused of pilfering. There's a medium in all things. Play cricket.
MARY DRISCOLL (Excitedly.) As God is looking down on me this night if ever I laid a hand to them oysters!
FIRST WATCH The offence complained of? Did something happen?
MARY DRISCOLL He surprised me in the rere of the premises, your honour, when the missus was out shopping one morning with a request for a safety pin. He held me and I was discoloured in four places as a result. And he interfered twice with my clothing.
BLOOM She counterassaulted.
MARY DRISCOLL (Scornfully.) I had more respect for the scouringbrush, so I had. I remonstrated with him, your lord, and he remarked: Keep it quiet!
(General laughter.)
GEORGES FOTTRELL (Clerk of the crown and peace, resonantly.) Order in court! The accused will now make a bogus statement.
(Bloom, pleading not guilty and holding a fullblown waterlily, begins a long unintelligible speech. They would hear what counsel had to say in his stirring address to the grand-jury. He was down and out but, though branded as a black sheep, if he might say so, he meant to reform, to retrieve the memory of the past in a purely sisterly way and return to nature as a purely domestic animal. A seven months' child, he had been carefully brought up and nurtured by an aged bedridden parent. There might have been lapses of an erring father but he wanted to turn over a new leaf and now, when at long last in sight of the whipping post, to lead a homely life in the evening of his days, permeated by the affectionate surroundings of the heaving bosom of the family. An acclimatised Britisher he had seen that summer eve from the footplate of an engine cab of the Loop line railway company while the rain refrained from falling glimpses, as it were, through the windows of loveful households in Dublin city and urban district of scenes truly rural of happiness of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent British born bairns lisping prayers to the Sacred Infant, youthful scholars grappling with their pensums, model young ladies playing on the pianoforte or anon all with fervour reciting the family rosary round the crackling Yulelog while in the boreens and green lanes the colleens with their swains strolled what times the strains of the organtoned melodeon Britannia metalbound with four acting stops and twelvefold bellows, a sacrifice, greatest bargain ever... )
(Renewed laughter. He mumbles incoherently. Reporters complain that they cannot hear.)
LONGHAND AND SHORTHAND (Without looking up from their notebooks.) Loosen his boots.
PROFESSOR MACHUGH (From the presstable, coughs and calls.) Cough it up, man. Get it out in bits.
(The crossexamination proceeds re Bloom and the bucket. A lace bucket. Bloom himself Bowel trouble. In Beaver street. Gripe, yes. Quite bad. A plasterers bucket. By walking stifflegged. Suffered untold misery. Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial moment. He did not look in the bucket. Nobody. Rather a mess. Not completely. A Titbits back number.)
(Uproar and catcalls. Bloom, in a torn frockcoat stained with whitewash, dinged silk hat sideways on his head, a strip of sticking-plaster across his nose, talks inaudibly.)
J. J. O'MOLLOY (In barrister's grey wig and stuffgown, speaking with a voice of pained protest.) This is no place for indecent levity at the expense of an erring mortal disguised in liquor. We are not in a beargarden nor at an Oxford rag nor is this a travesty of justice. My client is an infant, a poor foreign immigrant who started scratch as a stowaway and is now trying to turn an honest penny. The trumped up misdemeanour was due to a momentary aberration of heredity, brought on by hallucination, such familiarities as the alleged guilty occurrence being quite permitted in my client's native place, the land of the Pharaoh. Prima facie, I put it to you that there was no attempt at carnally knowing. Intimacy did not occur and the offence complained of by Driscoll, that her virtue was solicited, was not repeated. I would deal inespecial with atavism. There have been cases of shipwreck and somnambulism in my client's family. If the accused could speak he could a tale unfold one of the strangest that have ever been narrated between the covers of a book. He himself, my lord, is a physical wreck from cobbler's weak chest. His submission is that he is of Mongolian extraction and irresponsible for his actions. Not all there, in fact.
BLOOM (Barefoot, pigeonbreasted, in lascar's vest and trousers, apologetic toes turned in, opens his tiny mole's eyes and looks about him dazedly, passing a slow hand across his forehead. Then he hitches his belt sailor fashion and with a shrug of oriental obeisance salutes the court, pointing one thumb heavenward.) Him makee velly muchee fine night. (He begins to lilt simply.)
Li li poo lil chile,
Blingee pigfoot evly night.
Payee two shilly...
(He is howled down.)
J. J. O'MOLLOY (Hotly to the populace.) This is a lonehand fight. By Hades, I will not have any client of mine gagged and badgered in this fashion by a pack of curs and laughing hyenas. The Mosaic code has superseded the law of the jungle. I say it and I say it emphatically without wishing for one moment to defeat the ends of justice, accused was not accessory before the act and prosecutrix has not been tampered with. The young person was treated by defendant as if she were his very own daughter. (Bloom takes J. J. O'Molloy's hand and raises it to his lips.) I shall call rebutting evidence to prove up to the hilt that the hidden hand is again at its old game. When in doubt persecute Bloom. My client, an innately bashful man, would be the last man in the world to do anything ungentlemanly which injured modesty could object to or cast a stone at a girl who took the wrong turning when some dastard, responsible for her condition, had worked his own sweet will on her. He wants to go straight. I regard him as the whitest man I know. He is down on his luck at present owing to the mortgaging of his extensive property at Agendath Netaim in faraway Asia Minor, slides of which will now be shown. (To Bloom.) I suggest that you will do the handsome thing.
BLOOM A penny in the pound.
(The mirage of the lake of Kinnereth with blurred cattle cropping in silver haze is projected on the wall. Moses Dlugacz, ferreteyed albino, in blue dungarees, stands up in the gallery, holding in each hand an orange citron and a pork kidney.)
DLUGACZ (Hoarsely.) Bleibtreustrasse, Berlin, W. 13.
(J. J. O'Molloy steps on to a low plinth and holds the lapel of his coat with solemnity. His face lengthens, grows pale and bearded, with sunken eyes, the blotches of phthisis and hectic cheekbones of John F. Taylor. He applies his handkerchief to his mouth and scrutinises the galloping tide of rosepink blood.)
J. J. O'MOLLOY (Almost voicelessly.) Excuse me, I am suffering from a severe chill, have recently come from a sickbed. A few wellchosen words. (He assumes the avine head, foxy moustache and proboscidal eloquence of Seymour Bushe.) When the angel's book comes to be opened if aught that the pensive bosom has inaugurated of soultransfigured and of soultransfiguring deserves to live I say accord the prisoner at the bar the sacred benefit of the doubt. (A paper with something written on it is handed into court.)
BLOOM (In court dress.) Can give best references. Messrs Callan, Coleman. Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex-lord mayor of Dublin. I have moved in the charmed circle of the highest . Queens of Dublin Society. (Carelessly.) I was just chatting this afternoon at the viceregal lodge to my old pals, sir Robert and lady Ball, astronomer royal, at the levee. Sir Bob, I said...
MRS YELVERTON BARRY (In lowcorsaged opal balldress and elbowlength ivory gloves, wearing a sabletrimmed brick quilted dolman, a comb of brilliants and panache of osprey in her hair.) Arrest him constable. He wrote me an anonymous letter in prentice backhand when my husband was in the North Riding of Tipperary on the Munster circuit, signed James Lovebirch. He said that he had seen from the gods my peerless globes as I sat in a box of the Theatre Royal at a command performance of La Cigale. I deeply inflamed him, he said. He made improper overtures to me to misconduct myself at half past four p.m. on the following Thursday, Dunsink time. He offered to send me through the post a work of fiction by Monsieur Paul de Kock, entitled The Girl with the Three Pairs of Stays.
MRS BELLINGHAM (In cap and seal coneymantle, wrapped up to the nose, steps out of her brougham and scans through tortoiseshell quizzingglasses which she takes from inside her huge opossum muff.) Also to me. Yes, I believe it is the same objectionable person. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February ninetythree when even the grid of the wastepipe and ballstop in my bath cistern were frozen. Subsequently he enclosed a bloom of edelweiss culled on the heights, as he said, in my honour. I had it examined by a botanical expert and elicited the information that it was a blossom of the homegrown potato plant purloined from a forcingcase of the model farm.
MRS YELVERTON BARRY Shame on him!
(A crowd of sluts and ragamuffins sues forward.)
THE SLUTS AND RAGAMUFFINS (Screaming.) Stop thief! Hurrah there, Bluebeard! Three cheers for Ikey Mo!
SECOND WATCH (Produces handcuffs.) Here are the darbies.
MRS BELLINGHAM He addressed me in several handwritings with fulsome compliments as a Venus in furs and alleged profound pity for my frostbound coachman Balmer while in the same breath he expressed himself as envious of his earflaps and fleecy sheepskins and of his fortunate proximity to my person, when standing behind my chair wearing my livery and the armorial bearings of the Bellingham escutcheon garnished sable, a buck's head couped or. He lauded almost extravagantly my nether extremities, my swelling calves in silk hose drawn up to the limit, and eulogised glowingly my other hidden treasures in priceless lace which, he said, he could conjure up. He urged me, stating that he felt it his mission in life to urge me, to defile the marriage bed, to commit adultery at the earliest possible opportunity.
THE HONOURABLE MRS MERVYN TALBOYS (In amazon costume, hard hat, jackboots cockspurred, vermilion waistcoat, fawn musketeer gauntlets with bra idea drums, long train held up and hunting crop with which she strikes her welt constantly.) Also me. Because he saw me on the polo ground of the Phnix park at the match All Ireland versus the Rest of Ireland. My eyes, I know, shone divinely as I watched Captain Slogger Dennehy of the Inniskillings win the final chukkar on his darling cob Centaur. This plebeian Don Juan observed me from behind a hackney car and sent me in double envelopes an obscene photograph, such as are sold after dark on Paris boulevards, insulting to any lady. I have it still. It represents a partially nude senorita, frail and lovely (his wife as he solemnly assured me, taken by him from nature), practising illicit intercourse with a muscular torero, evidently a blackguard. He urged me to do likewise, to misbehave, to sin with officers of the garrison. He implored me to soil his letter in an unspeakable manner, to chastise him as he richly deserves, to bestride and ride him, to give him a most vicious horsewhipping.
MRS BELLINGHAM Me too.
MRS YELVERTON BARRY Me too.
(Several highly respectable Dublin ladies hold up improper letters received from Bloom.)
THE HONOURABLE MRS MERVYN TALBOYS (Stamps her jingling spurs in a sudden paroxysm of sudden fury.) I will, by the God above me. I'll scourge the pigeonlivered cur as long as I can stand over him. I'll flay him alive.
BLOOM (His eyes closing, quails expectantly.) Here? (He squirms.) Again! (He pants cringing.) I love the danger.
THE HONOURABLE MRS MERVYN TALBOYS Very much so! I'll make it hot for you. I'll make you dance Jack Latten for that.
MRS BELLINGHAM Tan his breech well, the upstart! Write the stars and stripes on it!
MRS YELVERTON BARRY Disgraceful! There's no excuse for him! A married man!
BLOOM All these people. I meant only the spanking idea. A warm tingling glow without effusion. Refined birching to stimulate the circulation.
THE HONOURABLE MRS MERVYN TALBOYS (Laughs derisively.) O, did you, my fine fellow? Well, by the living God, you'll get the surprise of your life now, believe me, the most unmerciful hiding a man ever bargained for. You have lashed the dormant tigress in my nature into fury.
MRS BELLINGHAM (Shakes her muff and quizzing-glasses vindictively.) Make him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch of his life. The cat-o' nine-tails. Geld him. Vivisect him.
BLOOM (Shuddering, shrinking, joins his hands with hangdog mien.) O cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet. Let me off this once. (He offers the other cheek.)
MRS YELVERTON BARRY (Severely.) Don't do so on any account, Mrs Talboys! He should be soundly trounced!
THE HONOURABLE MRS MERVYN TALBOYS (Unbuttoning her gauntlet violently.) I'll do no such thing. Pig dog and always was ever since he was pupped! To dare address me! I'll flog him black and blue in the public streets. I'll dig my spurs in him up to the rowel. He is a wellknown cuckold. (She swishes her hunting crop savagely in the air.) Take down his trousers without loss of time. Come here, sir! Quick! Ready?
BLOOM (Trembling, beginning to obey.) The weather has been so warm.
(Davy Stephens, ringleted, passes with a bevy of barefoot newsboys.)
DAVY STEPHENS Messenger of the Sacred Heart and Evening Telegraph with Saint Patrick's Day Supplement. Containing the new addresses of all the cuckolds in Dublin.
(The very reverend Canon O'Hanlon in cloth of gold cope elevates and exposes a marble timepiece. Before him Father Conroy and the reverend John Hughes S.J. bend low.)
THE TIMEPIECE (Unportalling.)
Cuckoo
Cuckoo
Cuckoo
(The brass quoits of a bed are heard to jingle.)
THE QUOITS Jigjag, Jigajiga. Jigjag.
(A panel of fog rolls back rapidly, revealing rapidly in the jurybox the faces of Martin Cunningham, foreman silkhatted, Jack Power Simon Dedalus, Tom Kernan, Ned Lambert, John Henry Menton, Myles Crawford, Lenehan, Paddy Leonard Nosey Flynn, M'Coy and the featureless face of a Nameless One.)
THE NAMELESS ONE Bareback riding. Weight for age. Gob, he organised her.
THE JURORS (All their heads turned to his voice.) Really?
THE NAMELESS ONE (Snarls.) Arse over tip. Hundred shillings to five.
THE JURORS (All their heads lowered in assent.) Most of us thought as much.
FIRST WATCH He is a marked man. Another girl's plait cut. Wanted: Jack the Ripper. A thousand pounds reward.
SECOND WATCH (Awed, whispers.) And in black. A mormon. Anarchist.
THE CRIER (Loudly.) Whereas Leopold Bloom of no fixed abode is a well-known dynamitard, forger, bigamist, bawd and cuckold ad a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable.
(His Honour sir Frederick Falkiner recorder of Dublin, in judicial garb of grey stone rises from the bench, stonebearded. He bears in his arms an umbrella sceptre. From his forehead arise starkly the Mosaic ramshorns.)
THE RECORDER I will put an end to this white slave traffic and rid Dublin of this odious pest. Scandalous! (He dons the black cap.) Let him be taken, Mr Subsheriff, from the dock where he now stands and detained in custody in Mountjoy prison during His Majesty's pleasure and there be hanged by the neck until he is dead and therein fail not at your peril or may the Lord have-mercy on your soul. Remove him. (A black skullcap descends upon his head.)
(The subsheriff long John Fanning appears, smoking a pungent Henry Clay.)
LONG JOHN FANNING (Scowls and calls with rich rolling utterance.) Who'll hang Judas Iscariot?
(H. Rumbold, master barber in a bloodcoloured jerk in and tanner's apron, a rope coiled over his shoulder mounts the block. A life preserver and a nailstudded bludgeon are stuck in his belt. He rubs grimly his grapping hands, knobbed with knuckledusters.)
RUMBOLD (To the recorder with sinister familiarity.) Hanging Harry, your Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.
(The bells of George's church toll slowly, loud dark iron.)
THE BELLS Heigho! Heigho!
BLOOM (Desperately.) Wait. Stop. Gulls. Good heart. I saw. Innocence. Girl in the monkeyhouse. Zoo. Lewd chimpanzees. (Breathlessly.) Pelvic basin. Her artless blush unmanned me. (Overcome with emotion.) I left the precincts. (He turns to a figure in the crowd, appealing.) Hynes, may I speak to you? You know me. That three shillings you can keep. If you want a little more .
HYNES (Coldly.) You are a perfect stranger.
SECOND WATCH (Points to the corner.) The bomb is here. FIRST WATCH Infernal machine with a time fuse. BLOOM No, no. Pig's feet. I was at a funeral. FIRST WATCH (Draws his truncheon.) Liar!
(The beagle lifts his snout, showing the grey scorbutic face of Paddy Dignam. He has gnawed all. He exhales a putrid carcasefed breath. He grows to human size and shape. His dachshund coat becomes a brown mortuary habit. His green eyeflashes bloodshot. Half of one ear all the nose and both thumbs are ghouleaten.)
PADDY DIGNAM (In a hollow voice.) It is true. It was my funeral. Doctor Finucane pronounced life extinct when I succumbed to the disease from natural causes.
(He lifts his mutilated ashen face moonwards and bays lugubriously.)
BLOOM (In triumph.) You hear?
PADDY DIGNAM Bloom, I am Paddy Dignam's spirit. List, list, O list!
BLOOM The voice is the voice of Esau.
SECOND WATCH (Blesses himself.) How is that possible?
FIRST WATCH It is not in the penny catechism.
PADDY DIGNAM By metempsychosis. Spooks.
A VOICE O rocks.
PADDY DIGNAM (Earnestly.) Once I was in the employ of Mr J. H. Menton, solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk. Now I am defunct, the wall of the heart hypertrophied. Hard lines. The poor wife was awfully cut up. Dow is she bearing it? Keep her off that bottle of sherry. (He looks round him.) A lamp. I must satisfy an animal need. That buttermilk didn't agree with me.
(The portly figure of John O'Connell, caretaker stands forth, holding a bunch of keys tied with crape. Beside him stands Father Coffey, chaplain, toad bellied, wrynecked, in a surplice and bandanna nightcap, holding sleepily a staff of twisted poppies.)
FATHER COFFEY (Yawns, then chants with a hoarse croak.) Namine. Jacobs Vobiscuits. Amen.
(Foghorns stormily through his megaphone.) Dignam, Patrick T., deceased.
PADDY DIGNAM (With pricked up ears, winces.) Overtones.
(He wriggles forward, places an ear to the ground.) My masters' voice!
JOHN O'CONNELL Burial docket letter number U. P. Eightyfive thousand. Field seventeen. House of Keys. Plot, one hundred and one.
(Paddy Dignam listens with visible effort, thinking, his tailstiffpointed, his ears cocked.)
PADDY DIGNAM Pray for the repose of his soul.
(He worms down through a coal hole, his brown habit trailing its tether over rattling pebbles. After him toddles an obese grandfather rat on fungus turtle paws under a grey carapace. Dignam's voice, muffled, is heard baying under ground: Dignam's dead and gone below. Tom Rochford, robinredbreasted, in cap and breeches, jumps from his two-columned machine.)
TOM ROCHFORD (A hand to his breastbone, bows.) Reuben J. A florin I find him. (He fixes the manhole with a resolute stare.) My turn now on. Follow me up to Carlow.
(He executes a daredevil salmon leap in the air and is engulfed in the coalhole. Two discs on the columns wobble eyes of nought. All recedes. Bloom plodges forward again. He stands before a lighted house, listening. The kisses, winging from their bowers, fly about him, twittering, warbling, cooing.)
THE KISSES (Warbling.) Leo! (Twittering.) Icky licky micky sticky for Leo! (Cooing.) Coo coocoo! Yummyumm Wom worn! (Warbling.) Big comebig! Pirouette! Leopopold! (Twittering.) Leeolee! (Warbling.) O Leo!
(They rustle, flutter upon his garments, alight, bright giddyflecks, silvery sequins.)
BLOOM A man's touch. Sad music. Church music. Perhaps here.
(Zoe Higgins, a young whore in a sapphire slip, closed with three bronze buckles, a slim black velvet fillet round her throat, nods, trips down the steps and accosts him.)
ZOE Are you looking for someone? He's inside with his friend.
BLOOM Is this Mrs Mack's?
ZOE No, eightyone. Mrs Cohen's. You might go farther and fare worse. Mother Slipperslapper. (Familiarly.) She's on the job herself tonight with the vet, her tipster, that gives her all the winners and pays for her son in Oxford. Working overtime but her luck's turned today. (Suspiciously.) You're not his father, are you?
BLOOM Not I!
ZOE You both in black. Has little mousey any tickles tonight?
(His skin, alert, feels her fingertips approach. A hand slides over his left thigh.)
ZOE How's the nuts?
BLOOM Off side. Curiously they are on the right. Heavier I suppose. One in a million my tailor, Mesias, says.
ZOE (In sudden alarm.) You've a hard chancre.
BLOOM Not likely.
ZOE I feel it.
(Her hand slides into his left trouser pocket and brings out a hard black shrivelled potato. She regards it and Bloom with dumb moist lips.)
BLOOM A talisman. Heirloom.
ZOE For Zoe? For keeps? For being so nice, eh?
(She puts the potato greedily into a pocket, then links his arm, cuddling him with supple warmth. He smiles uneasily. Slowly, note by note, oriental music is played. He gazes in the tawny crystal of her eyes, ringed with kohol. His smile softens.)
ZOE You'll know me the next time.
BLOOM (Forlornly.) I never loved a dear gazelle but it was sure to.
(Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hairgrowth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet winegrapes. A wine of shame, lust, blood exudes, strangely murmuring.)
ZOE (Murmuring singsong with the music, her odalisk lips lusciously smeared with salve of swinefat and rosewater.) Schorach ani wenowach, benoith Hierushaloim.
BLOOM (Fascinated.) I thought you were of good stock by your accent.
ZOE And you know what thought did?
(She bites his ear gently with little goldstopped teeth sending on him a cloying breath of stale garlic. The roses draw apart, disclose a sepulchre of the gold of kings and their mouldering bones.)
BLOOM (Draws back, mechanically caressing her right bub with a flat awkward hand.) Are you a Dublin girl?
ZOE (Catches a stray hair deftly and twists it to her coil.) No bloody fear. I'm English. Have you a swaggerroot?
BLOOM (As before.) Rarely smoke, dear. Cigar now and then. Childish device. (Lewdly.) The mouth can be better engaged than with a cylinder of rank weed.
ZOE Go on. Make a stump speech out of it.
BLOOM (In workman's corduroy overalls, black gansy with red floating tie and apache cap.) Mankind is incorrigible. Sir Walter Raleigh brought from the new world that potato and that weed, the one a killer of pestilence by absorption, the other a poisoner of the ear, eye, heart, memory, will, understanding, all. That is to say, he brought the poison a hundred years before another person whose name I forget brought the food. Suicide. Lies. All our habits. Why, look at our public life!
(Midnight chimes from distant steeples.)
THE CHIMES Turn again, Leopold! Lord Mayor of Dublin!
BLOOM (In alderman's gown and chain.) Electors of Arran Quay, Inns Quay, Rotunda, Mountjoy and North Dock, better run a tramline, I say, from the cattlemarket to the river. That's the music of the future. That's my programme. Cui Bono? But our buccaneering Vanderdeckens in their phantom ship of finance...
AN ELECTOR Three times three for our future chief magistrate!
(The aurora borealis of the torchlight procession leaps.)
THE TORCH BEARERS Hooray!
(Several wellknown burgesses, city magnates and freemen of the city shake hands with Bloom and congratulate him. Timothy Harrington, late thrice Lord Mayor of Dublin, imposing in mayoral scarlet, gold chain and white silk tie, confers with councillor Lorcan Sherlock, locum tenens. They nod vigorously in agreement.)
LATE LORD MAYOR HARRINGTON (In scarlet robe with mace, gold mayoral chain and lace white silk scarf) That alder man sir Leo Bloom's speech be printed at the expense of the ratepayers. That the house in which he was born be ornamented with a commemorative tablet and that the thoroughfare hitherto known as Cow Parlour off Cork street be henceforth designated Boulevard Bloom.
COUNCILLOR LORCAN SHERLOCK Carried unanimously.
BLOOM (Impassionedly.) These flying Dutchmen or lying Dutchmen as they recline in their upholstered poop, casting dice, what reck they? Machines is their cry, their chimera, their panacea. Laboursaving apparatuses, supplanters, bug-bears, manufactured monsters for mutual murder, hideous hobgoblins produced by a horde of capitalistic lusts upon our prostituted labour. The poor man starves while they are grassing their royal mountain stags or shooting peasants and phartridges in their purblind pomp of pelf and power. But their reign is rover for rever and ever and ev...
(Prolonged applause. Venetian masts, maypoles and festal arches spring up. A streamer bearing the legends Cead Mille Failte and Mah Ttob Melek Israel spans the street. All the windows are thronged with sightseers, chiefly ladies. Along the route the regiments of the royal Dublin Fusiliers, the Kings Own Scottish Boraerers, the Cameron Highlanders and the Welsh Fusiliers, standing to attention, keep back the crowd. Boys from High school are perched on the lampposts, telegraph poles, windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and cheering. The pillar of the cloud appears. A fife and drum band is heard in the distance playing the Kol Nidre. The beaters approach with imperial eagles hoisted, trailing banners and waving oriental palms. The chryselephantine papal standard rises high, surrounded by pennons of the civic flag. The van of the procession appears headed by John Howard Parnell, city marshal, in a chessboard tabard, the Athlone Poursuivant and Ulster King of Arms. They are followed by the Right Honourable Joseph Hutchinson, lord mayor of Dublin, the lord mayor of Cork, their worships the mayors of Limerick, Galway, Sligo and Watedord, twentyeight Irish representative peers, sirdars, grandees and maharajahs bearing the cloth of estate, the Dublin Metropolitan Fire Brigade, the chapter of the saints of finance in their plutocratic order of precedence, the bishop of Down and Connor His Eminence Michael cardinal Logue archbishop of Armagh, primate of all Ireland, His Grace, the most reverend Dr William Alexander archbishop of Armagh, primate of all Ireland, the chief rabbi, the presbyterian moderator, the heads of the baptist, anabaptist, methodist and Moravian chapels and the honorary secretary of the society of friends. her them march the guilds and trades and trainbands with flying colours: coopen, bird fanciers, millwrights, newspaper canvassers, law scriveners, masseurs, vintners, trussmakers, chimney sweeps, lard refiners, tabinet and poplin weavers, farriers, Italian warehousemen, church decorators, bootjack manufacturers, undertaken, silk mercers, lapidaries, salesmasters, corkcutters, assessors of fire losses, dyers and cleaners, export bottlers, fellmongers, ticketwriters, heraldic seal engravers, horse repository hands, bullion broken, cricket and archery outfitters, riddlemakers, egg and potato factors, hosiers and glovers, plumbing contractors. After them march gentlemen of the bed chamber Black Rod, Deputy Garter Gold Stick, the master of hone, the lord great chamberlain, the earl marshal, the high constable carrying the sword of state, saint Stephen's iron crown, the chalice and bible. Four buglers on foot blow a sennet. Beefeaten reply, winding clarions of welcome. Under an arch of triumph Bloom appears bareheaded, in a crimson velvet mantle trimmed with ermine, bearing Saint Edward's staff the orb and sceptre with the dove, the curtana. He is seated on a milkwhite hone with long flowing crimson tail, richly caparisoned, with golden heads tall. Wild excitement. The ladies from their balconies throw down rosepetals. The air is perfumed with essences. The men cheer. Bloom's boys run amid the bystanders with branches of hawthorn and wrenbushes.)
BLOOM'S BOYS
The wren, the wren,
The king of all birds,
Saint Stephen's his day,

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